Resume

Design systems and product surfaces for an AI contract platform, two products of my own, and the brand and print work I started in. Specifics where I have them.

2026 — now

Design Engineer at Lexapar

- Own the Lexapar Intelligence UI end to end: design system, component library, and the shipped Next.js 16 / React 19 application.- Built the CSS-first Tailwind v4 token layer and a customised shadcn base, documented in a design reference so new work matches what already exists instead of drifting.- Designed and built the agent surfaces — a 3D orb with custom GLSL shader states for listening/talking/thinking, spacebar voice capture with live waveform, and a pannable workflow canvas with animated connection lines.- Shipped the contract lifecycle surfaces: file browser with tabbed AI summaries, approval chains, version diffs, redlining, and an integrations grid.- Ran a full app capture audit across every route to catch empty states, spacing drift, and component inconsistencies before they reached users.

2026 — now

Designer & builder of Drape

- Designed and shipped an Expo / React Native app that turns flat-lay clothing and jewellery photos into on-model mockups, catalog sets, video and ad creative.- Wrote a UX-psychology design guide (smart defaults, anchoring, endowed progress) and used it to govern the create wizard, onboarding and subscription screens — every selector ships pre-selected, and buttons carry outcomes rather than verbs.- Rebuilt the client as v2 against eight written architecture rules, fixing v1’s refetch storms (6,500 req/min), five duplicated client-side credit branches, and 1,875 hardcoded hex values.- Built a standalone credit-wallet service replacing three parallel credit mechanisms with one currency priced from real provider cost — the margin table showed the old Pro tier running at −22%.

2024 — 2026

Product design & engineering for OOH World & Yash Ads

- Designed and built the media inventory database: hoardings and gantries with location, dimensions, illumination and availability, plus bulk import from the CSV and PPTX decks the industry already runs on.- Built map-first search over Indian cities with a state → city → media-type taxonomy, because the buying decision starts from a junction rather than a list.- Shipped a media manager that exports client-ready PPTX, PDF and Excel — the deck is the industry’s unit of communication, so the tool produces one.- Built the Yash Ads agency site: three service lines, dynamic detail pages, and a multi-step quote flow with React Hook Form and Zod.

2023 — 2026

Sr. Product Designer at Steer Health

- Design the surfaces for seven AI agents that run the patient journey end to end: demand capture across voice, SMS, web and forms; scheduling and waitlist backfill; insurance eligibility and collections; recall and care-gap closure.- Built the interface around completed outcomes rather than agent activity — what was captured, booked and recovered, and where it was written back into the EHR — because "not call deflection, completed work" is the product’s whole claim and the UI has to prove it.- Designed live agent state: a call in progress reads as answering now, with waveform and running transcript, so an autonomous system is never ambiguous about whether it is currently working.- Set an editorial type direction — serif display with italic emphasis — against a category that defaults to neutral grotesks and stock photography.

2022 — 2023

Product & brand designer at Zolve

- Designed the mobile app and website UI — account and card dashboard, available limit, credit card and checking account as peer surfaces, and the onboarding nudge stack for steps a new arrival hasn’t finished.- Designed the three card tiers — Black, Signature and Classic — each pitched at a different point in a newcomer’s first year: the one you show people, the one that stays reachable, and the one for everyday spend.- Took the tiering into print: card faces, packaging, a booklet and brochure collateral, which meant every gradient had to read as premium in CMYK on a matte card as well as on an OLED screen.- Ran brand, social and communication design alongside, so a card someone sees in an acquisition ad is recognisably the card that arrives in the post.- Designed for a specific, stressed user: someone who has just moved countries and needs an account, a card and a credit history before they can rent a flat or get a phone plan. "Banking made for students" had to hold up across every surface.

2023

Design & Webflow build for Powerplay

- Started with a web audit rather than a redesign brief, which set the actual scope: which pages carried conversions and which sections existed only because someone once asked.- Designed in Figma and built in Webflow myself, so anything that survived design review but broke in Webflow’s box model surfaced on day one instead of at handoff.- Blue-dominant and photography-led, with the product UI shown on real sites — the audience is a contractor on site, not a startup office.

2023

Website design & build for Unmaad — IIM Bangalore

- Designed and shipped the full site: speakers, events, pro-shows, accommodation, schedule, merchandise, sponsors and contact, with registration threading through all of it.- Built mobile-first, because essentially all of the traffic is a phone during the run-up to the festival.- Deep-space neon direction — outlined display type, planets and portals, and a marquee ticker for announcements that changed daily.

2023

Brand identity & packaging for Error

- Logotype built on a bracket — borrowed from the console the name comes from, where an error is a thing you read rather than a thing you wear — with the O cut through by a cross so the word carries its own failure state.- Neon green on near-black grey, Japanese characters running alongside as a secondary typographic layer rather than decoration. The palette does the work at distance, which is the only distance a clothing brand is ever seen from first.- Packaging designed around the unboxing: the mark repeated at scale across the box faces and the accent carried inside, because for a street label the box photographs almost as often as the garment.

2023

Brand identity & packaging for Namma Sangam

- Two leaves rising into a four-point spark, drawn on a construction grid as a single solid form so it survives being embroidered, foil-stamped, or printed one colour on a spice pouch.- Dark green base with a tiger’s eye accent, set for print as well as screen — deep enough that photography of chillies, spices and oil sits on it without the two fighting for the same register.- Directed the product photography as part of the identity rather than a separate exercise: shot dark, lit hard from one side, with the mark reversed out in white over it.